Claudia Álvarez |
Friday, September 19, 2014
Telenovela Watch - September 12
Article with my thoughts on some of the current telenovelas. I quite liked the quirky modest comedic Colombian telenovela MANUAL PARA SER FELIZ with featured a lovely lead performance by Marcela Mar. Don't much care for LA MALQUERIDA, which is tepid.
I also mostly like HASTA EL FIN DEL MUNDO, the Mexican version of Argentina's DULCE AMOR, which has also seen adaptations in Chile and Colombia. Claudia
Álvarez has gotten some flack for her performance. It is a tricky call - the character she plays is a bad actress given to drama queen tantrums, so from time to time, you have to assess whether it is Claudia
Álvarez or the character whose performance you are witnessing. Álvarez was the best thing in DOS HOGARES and up until the writers destroyed her character, one of the better things in PORQUE EL AMOR MANDA, and she imbues her character in HASTA EL FIN DEL MUNDO with enough vulnerability to give her the benefit of the doubt.
Sunday, September 14, 2014
La Reina del Sur
LA REINA DEL SUR is a 2011 narco-novela from Telemundo that
was the network’s only genuine hit. Based
on a 2002 novel by Arturo Pérez-Reverte, it follows a Mexican woman who is
caught up by circumstances into the world of drug-trafficking and finds she has
a talent to succeed in that dirty enterprise.
The first half of the telenovela is the best thing Telemundo
has ever produced – pulpy trash that is swift, sexy and exciting. Kate del Castillo is a dynamic lead, strong
and fiery. Her sensuality has always
been on the butch side, but that works here when offset by a pretty boy like
Iván Sánchez. Their chemistry is the
best thing in the telenovela. The
international cast also features excellent performances from Mexican actor
Humberto Zurita and Colombian actor Christian Tappan, but it is a pair of
Spaniards who steal the show: Alberto Jiménez as an unflappable Russian crime
boss and an androgynous lithe Amazon named Cristina Urgel who isn’t much of an
actress, but is a compelling, peculiar screen presence that evinces ineffable
star quality.
The second half bogs down into more conventional narco fare and is far less interesting. It was Kate del Castillo’s first telenovela in eight years and she seems to run out of steam. She is not helped by her lack of chemistry with Miguel de Miguel, the Spanish actor who becomes the leading man over the final weeks.
But ultimately, the biggest flaw is LA REINA DEL SUR tells the same lie the majority of the narco-novelas tell in depicting its protagonist as a “good” drug trafficker in conflict against “evil” drug traffickers.
The cast also features Gabriel Porras, Salvador Zerboni, Sara Maldonado, Ezequiel Montalt and Dagoberto Gama.
Cristina Urgel and Kate del Castillo |
The second half bogs down into more conventional narco fare and is far less interesting. It was Kate del Castillo’s first telenovela in eight years and she seems to run out of steam. She is not helped by her lack of chemistry with Miguel de Miguel, the Spanish actor who becomes the leading man over the final weeks.
But ultimately, the biggest flaw is LA REINA DEL SUR tells the same lie the majority of the narco-novelas tell in depicting its protagonist as a “good” drug trafficker in conflict against “evil” drug traffickers.
The cast also features Gabriel Porras, Salvador Zerboni, Sara Maldonado, Ezequiel Montalt and Dagoberto Gama.
Wednesday, September 10, 2014
Utopia - series premiere
Billed as innovative and experimental,
Fox’s UTOPIA is little more than a tired BIG BROTHER retread of strangers
living together and filmed for twenty-four hours. The series is meant to last a year, but there
was so little of interest in the first two hours that I can’t imagine this series will
last even a month on the air. The cast
of fifteen men and women are obnoxious made-for-reality-TV stereotypes and each
play their boxed-in roles predictably.
Unsurprisingly, the producers of this show provided booze
for their cast in an attempt to prod some drunken drama, but half of the episode seemed to concern whether some morons will stay in the Utopia community or depart. Who could possibly care?
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